These AI-generated images blend Edward Hopper’s moody, cinematic style with modern cultural icons like Kendrick Lamar and Serena Williams. The scenes feel both familiar and surreal, with dragons soaring through quiet towns, giant strawberries in open fields, and mythological creatures looming over urban rooftops. The recurring “GLORIA” signs hint at themes of fame, power, and personal legacy. It’s as if Hopper’s lonely yet iconic world collided with today’s cultural figures, creating a dreamlike fusion of nostalgia and modern storytelling.
These scenes evoke a mystic, otherworldly atmosphere, with monumental, surreal architecture that feels both familiar and alien. The presence of anonymous, faceless figures in vast, open spaces creates a sense of collective anonymity—like reflections of ourselves in a reality beyond our own. The stark, sculptural forms and muted palette contribute to a dreamlike quality, as though stepping into a realm governed by unknown forces or rituals.The aesthetic resonates with the visionary style of directors like Andrei Tarkovsky, with his contemplative, metaphysical visuals; Denis Villeneuve, known for his grand, atmospheric sci-fi landscapes; or even Alejandro Jodorowsky, who often explores mystical, symbolic worlds that challenge reality.This feels like a scene from a forgotten myth—a timeless, ritualistic moment captured in an alternate dimension.
This series of images explores the quiet tension between ancient forces and modern technology. Monks, engrossed in their devices, stand against volcanic landscapes—symbols of timeless power. Inspired by Werner Herzog’s Into the Inferno, the volcano becomes a silent, indifferent witness to humanity’s search for meaning.The aesthetic also echoes Silence by Martin Scorsese, where faith is tested against nature’s vastness. In this world, the tablets are tools of modern devotion, bridging the physical and the digital in a contemplative, mysterious dialogue.
New York is frozen in time—empty streets, strange objects, and an eerie silence that feels too precise to be accidental. A polka-dotted creature winds through intersections, while crumpled, cocoon-like shapes rest where crowds once surged. A lone figure in an orange hazmat suit stands still, searching the cracks beneath their feet, as if the pavement might reveal answers.The scene feels like a Fincher film without its director: unsettling, calculated, yet directionless. His signature tension is present, but the mastermind is missing. Has he vanished, or is this his final narrative—a city transformed into a puzzle without resolution?In this post-apocalyptic riddle, the mystery isn’t just the emptiness. It’s the absence of control, the missing architect of the unseen. And the lingering, unsettling question: Where is now David Fincher?
